A Lake Michigan Rock Garden.

On a secluded beach at the end of Ravine Drive in Highland Park now sits a rock garden that has (I hope) a little bit of mystery and magic in it.

BenchHarpRocks-01

Ravine Drive is a winding road, secluded, lush with old trees and elegant houses. A small parking lot laid at the end marks the entrance to Millard Park and Ravine Drive Beach.

The beach has undergone a significant transformation over the past year. An old building was torn down, its foundation ripped out of the sand. Native foliage was replanted. And a lifelong resident of Highland Park’s curiosity and fascination with the stones that wash up on shore was brought to life.

I had the great pleasure to meet with Marjie Ettinger, her husband Dick, and Rebecca Grill, Natural Areas Manager for The Park District of Highland Park over a year ago about this project. Marjie was interested in producing some kind of lasting installation about the multitude of rocks there. I was there to give it some shape: this is the early plan.

The initial Concept

“The initial concept: a bench, a pebble harp, and a garden of giant beach stones, boulder-sized, with their names inscribed in them.”

It’s not every day one gets the opportunity to create art for a public venue, or get the help and support one needs to actually make it happen. I am extremely grateful to say that Marjie and Rebecca both fell in love with the idea and ran with it. The indefatigable Ms. Grill turned her considerable energies to making sure this idea came to fruition, recruiting geologist Charles Shabica to assist in picking out the five types of stones that would be set in the beach, and Eagle Scout candidate Duncan Holzhall (who brought a whole cadre of Boy Scouts along with him) to build the bench and the pebble harp.

An Early Pebble Harp Sketch

Put the pebbles in the holes at the top and listen to them travel to the bin below.  It's good music.

Put the pebbles in the holes at the top and listen to them travel to the bin below. It’s good music.

Granite

The rocks were bought, and had their names carved into them, by the good folks at Schwake Stone, Brick, and Fireplace Company.

BasaltQuartz

Already here in these photos you can see that the installation is working its magic; people engage with the garden, embellishing it with their own particular touches.

One of the significant motivating ideas throughout this project was to leave an opening for curiosity and wonder. In this day and age, when most of us carry the internet around in our pocket, it felt significant to not over-explain what is going on here at the beach. The rocks are simply identified, without any further explanation; the bench and pebble harp merely add anchors and further opportunity to engage with the area, also without explanation. Anyone can look up the names of these rocks on their phone and be connected to a wealth of information about them–far more than we could ever print on museum-esque panels mounted on poles on the beach. But is the beach really the place one wants to be standing and reading about rocks, geology, glaciers and currents and tides that move these rocks around? Or is it a place for play, for wonder, for exploration?

My contention is that one should leave the reading and academic information for where it can be absorbed best: at home, looking at a computer screen or the pages of a book. While at the beach – let’s play.

I hope you get to take a visit up to the end of Ravine Drive and explore the newfound serenity and natural peace found there. It’s a beautiful area, and I’m proud to have helped bring its new vibe into the world.

Building a Rhinoceros.

I’d like to introduce you all to the Flow Forwarding Rhino: coming soon to a network near you.

FF Rhino

Here it comes.

Flow Forwarding and the Rhino you see above you are just one small part of the software defined networking movement growing in the computer industry.

The Hardware Defined Network is an ecosystem that sells hardware — switches, routers, firewalls, load balancers, WAN optimizers. These products may have different names, but there’s no substantive difference in their underlying technology or function.

Stu Bailey

CTO, Infoblox

Read the full Wired Insights post.

Increasingly I find myself at the center of a network of very powerful computers: my phone, my iPad, laptop, desktop, etc.  All sorts of devices we own have some kind of microprocessor in them, busily tracking our virtual comings and goings, encouraging us to connect in some other way with the myriad of other networks out there. Even your average household appliance is now being equipped with computational power: this Samsung refrigerator, for example.

Samsung Fridge

This fridge will connect to Twitter.  It’s true.

You may not need your refrigerator to run apps at this point–but if you do, it’s available, because computer processing power is incredibly inexpensive.  Quite simply, it’s cheap to slap an Intel chip into any appliance.

The ready availability of such massive processing power was unfathomable when people first started imagining computer networks.  Most of the basic notions governing the way computers exchange information are, in fact, based on ideas developed for transmitting Morse code over telegraph wires. ((For an excellent explanation of this, I recommend the book Code: The Hidden Language of Computer Hardware and Software by Charles Petzold.)) Think about that; all of our amazingly powerful computers talk to one another via processes and protocols with their roots in the 19th Century.

Many people believe that this no longer need be the case.  Companies like VMWare have introduced us to the idea that any piece of computer hardware can be replicated by software. An increasing number of Silicon Valley insiders – like Infoblox CTO Stu Bailey – are saying that it’s time to apply that to networking.

For many, the idea that there is no difference between a router and a firewall is as ludicrous as thinking that there is no difference between a refrigerator and a stove. But, when it comes to computers, it’s true. I’m no computer scientist, so I will not be able to explain this in technical terms.  But let me see if I can explain it using kitchen appliances as an example.

Most of us have toasters.  Toasters are designed to do one thing only: make toast.  You could, perhaps, make toast many other ways in your kitchen, but because your toaster is inexpensive and efficient, you can afford to have it be an independent device.

Imagine for a moment that your toaster is easily capable of heating your entire home. And, if you know how to use it right, it can also cut your grass, clean your gutters, and make sushi. To complete this thought, now imagine that every appliance in your kitchen–stove, fridge, coffee maker–is an equally powerful and adaptable machine.

This is essentially what’s going on in networking today.  Giant companies sell multi-purpose machines, capable of computing feats that a mere 10 years ago seemed like science fiction, to other giant companies – and insist they are only able to make toast.  There are roomfuls of these machines in every corporation taking care of the drudgery of getting bits of information from one place to another.  Most of their potential remains untapped; and a good portion of the established computer industry wants it to stay that way.

Bailey–and others who think like him, including the Open Networking Foundation–are working to unleash this untapped potential.  The Flow Forwarding Rhino is part of this larger movement. And here, at last, is where design comes into play.  Remember the “Intel Inside” campaign?

Flow Forwarding is a little like that Intel chip within another company’s computer.  We branded FF specifically to show users and programmers that Flow Forwarding was powerful and reliable enough to be part of the larger networking landscape to come.

FF Rhino wall graphic

It’s got weight.

The FF Rhino is probably never going to appear anywhere on a product that your average consumer will buy–and that’s OK.  That’s really not its job. But we’ve invested the time and thought into making sure that the Rhino has the communication tools it needs to take it as far as it can go.  And, where computers are concerned, it seems that we are just getting started.

Balance and Harmony Without Symmetry

Those of you who have visited the Art Institute of Chicago may still have missed two of my most favorite experiences there. They are not easy to find. One is a gallery designed by the master architect Tadao Ando; the other is the model of the Japanese home in the Thorne Rooms (a stunning collection of scale models of interiors and rooms through history that are a must-see).

Japanese Enso

Japanese Enso

There is something about Japanese art that has always fascinated me; arrested me, in fact. There was a balance, a rightness about the structure that I could never put my finger on. This hearkens back to my earlier post about not understanding what makes good design but responding to it nonetheless; Japanese art and design has always provoked a response in me, but I was unable to say what element, or combination of elements, it was that drew it out of me.
I think I stumbled on it. Much of the idea has to do with the Japanese view of symmetry. You won’t find a lot of it in any aspect of Japanese design or art – at least, not in the sense that we know it. The quote below is the most succinct explanation of part of this phenomenon that I can find.

The dynamic nature of their philosophy laid more stress upon the process through which perfection was sought than upon perfection itself. True beauty could be discovered only by one who mentally completed the incomplete. The virility of life and art lay in its possibilities for growth. In the tea-room it is left for each guest in imagination to complete the total effect in relation to himself. Since Zen has become the prevailing mode of thought, the art of the extreme Orient has purposefully avoided the symmetrical as expressing not only completion, but repetition. Uniformity of design was considered fatal to the freshness of imagination.

– from The Book of Tea by Okakura Kakuzo, a reflection and presentation of Japanese culture to Western readers published in 1906. (emphasis mine)

Nature seems to abhor true symmetry. Very few things in nature can be folded upon themselves upon any axis and be said to be exactly the same – perhaps some snowflakes and other crystalline structures. But in general, left and right sides, up and down, back and front are not mirrors of one another at all. And, if they are, they do not look right. Consider the art of Mark Mothersbaugh – most famous as the founder and frontman of Devo.

Blox Bambina Daddys Rug, Mark Mothersbaugh 2007

Blox Bambina Daddy’s Rug, Mark Mothersbaugh 2007

I’ve read an article in the past where he talks about making these images. They are just photographs, split as evenly down the middle as possible and mirrored. These images completely skewer the idea that the human face is symmetrical – something the casual observer might assume to be true. One look is enough to relieve anyone of that notion.

Achieving true symmetry can be a great struggle. It is an easy way to achieve balance – but is it a cop-out? And can you ever really get there? There can, of course, be a Herculean effort to control all the variables in any design. But not everyone has the luxury of being able to create the Taj Mahal; and even then, do we really want to? Not to be reductive about it, but the bushes and trees that surround any structure, the page of a magazine, the existing room that an event is in … all sorts of things in the environment are going to foil true symmetry. Is it not then better to attain balance and harmony in some other way?

When tackling issues of balance, frequently I look to Japanese artists, architects, and designers for inspiration and solutions.

Taiso Yoshitoshi (1839-1892), iKintaro Riding the Giant Carp/i, color woodcut, 1882

Taiso Yoshitoshi (1839-1892), <i>Kintaro Riding the Giant Carp</i>, color woodcut, 1882

As always, your thoughts and comments are welcomed.