A Lake Michigan Rock Garden.

On a secluded beach at the end of Ravine Drive in Highland Park now sits a rock garden that has (I hope) a little bit of mystery and magic in it.

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Ravine Drive is a winding road, secluded, lush with old trees and elegant houses. A small parking lot laid at the end marks the entrance to Millard Park and Ravine Drive Beach.

The beach has undergone a significant transformation over the past year. An old building was torn down, its foundation ripped out of the sand. Native foliage was replanted. And a lifelong resident of Highland Park’s curiosity and fascination with the stones that wash up on shore was brought to life.

I had the great pleasure to meet with Marjie Ettinger, her husband Dick, and Rebecca Grill, Natural Areas Manager for The Park District of Highland Park over a year ago about this project. Marjie was interested in producing some kind of lasting installation about the multitude of rocks there. I was there to give it some shape: this is the early plan.

The initial Concept

“The initial concept: a bench, a pebble harp, and a garden of giant beach stones, boulder-sized, with their names inscribed in them.”

It’s not every day one gets the opportunity to create art for a public venue, or get the help and support one needs to actually make it happen. I am extremely grateful to say that Marjie and Rebecca both fell in love with the idea and ran with it. The indefatigable Ms. Grill turned her considerable energies to making sure this idea came to fruition, recruiting geologist Charles Shabica to assist in picking out the five types of stones that would be set in the beach, and Eagle Scout candidate Duncan Holzhall (who brought a whole cadre of Boy Scouts along with him) to build the bench and the pebble harp.

An Early Pebble Harp Sketch

Put the pebbles in the holes at the top and listen to them travel to the bin below.  It's good music.

Put the pebbles in the holes at the top and listen to them travel to the bin below. It’s good music.

Granite

The rocks were bought, and had their names carved into them, by the good folks at Schwake Stone, Brick, and Fireplace Company.

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Already here in these photos you can see that the installation is working its magic; people engage with the garden, embellishing it with their own particular touches.

One of the significant motivating ideas throughout this project was to leave an opening for curiosity and wonder. In this day and age, when most of us carry the internet around in our pocket, it felt significant to not over-explain what is going on here at the beach. The rocks are simply identified, without any further explanation; the bench and pebble harp merely add anchors and further opportunity to engage with the area, also without explanation. Anyone can look up the names of these rocks on their phone and be connected to a wealth of information about them–far more than we could ever print on museum-esque panels mounted on poles on the beach. But is the beach really the place one wants to be standing and reading about rocks, geology, glaciers and currents and tides that move these rocks around? Or is it a place for play, for wonder, for exploration?

My contention is that one should leave the reading and academic information for where it can be absorbed best: at home, looking at a computer screen or the pages of a book. While at the beach – let’s play.

I hope you get to take a visit up to the end of Ravine Drive and explore the newfound serenity and natural peace found there. It’s a beautiful area, and I’m proud to have helped bring its new vibe into the world.

Another Version of The Resumé

I had occasion to assemble another version of my resumé today.  This one plays up some marketing/advertising campaign work and lightens up on the exhibition work.  I also included some live links in the PDF to some of the things I’ve written – for Production Plus’ eZine Solutions By Design, for instance.  I haven’t written anything for Pro Plus since we parted ways in 2008 or so, but there are some fun articles there in the archives, like this one where I get a quote from Smokin’ Joe Frazier) and my theater reviews for Centerstage.com.

I really enjoy the process of putting together a fresh resumé.  It gives me a chance to revisit old work, re-evaluate it, think about what I learned from it, and how I can apply that to my work today.  Take a look at this one if you’d like.  If you have any comments or suggestions, please send them my way!  I welcome sound opinions and dialogue on anything I’ve designed.

JD-resume-Apr2013

 

Revealing Chicago: Millennium Park 2005

Millennium Park was just a gleam in Mayor Daley’s eye when Terry Evans asked me if I wanted to work on a photo exhibition with her – the first one in the new park.  I worked closely with Ms. Evans while she was photographing inside The Field Museum for the exhibition From Prairie to Field. ((As you might have seen from the link to the Field Museum’s page, the exhibition was remounted in 2008.  The original was designed in 2001; I have some fine photographs from that original installation that will make it to this site eventually.))  I couldn’t have been more excited; I believe I accepted the job on the spot, without hesitation.

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The exhibition was spearheaded by the indefatigable Jerry Adelman of Openlands, with cooperation and participation by Metropolis Strategies (then operating as Metropolis 2020).  The goal: to show the residents of Chicago their land–what it looks like from overhead, what it’s being used for, and how the growth of the city changes the landscape around us.

The exhibition opened in June of 2005 with the concrete still drying on the Gehry Bandshell.  I’m very proud to have worked on it.  It was a pleasure and a privilege to help bring Terry’s stunning photographs to an audience who could appreciate them as art and also be able to say, “hey, there’s my house!” or, “I drive past that every morning and had no idea it looked like that.”  To talk about the growth and progress of Chicago with its denizens and visitors in such a highly visible public space felt then – and still feels now – like one of the most valuable things I can do with the opportunities I’ve been given.

Revealing Chicago taught me more than I can relate here about the past, present, and future of the city.  Being on the periphery of Hizzoner’s great public work taught me a lot about the inner workings of Chicago government – which, as you may know, has always been a lively battleground.  At the opening of the exhibition I got to have a brief conversation with the Mayor:

 Hizzoner: Hey, nice show you got here.

JD: Thanks, Mayor!  Nice park you got here!

Hizzoner: Hey, thanks!

The rest of the conversation is one for the record books.  In order to appreciate it fully, some setup (and knowledge of certain maneuvers involving a former airport) is required – but if you wanna hear it and you run into me sometime I’ll be glad to tell it.

Do yourself a favor: take a look at Terry’s gallery of images from the show.  And (if you’re really interested) pick up the exhibition catalog.  I’m sure whether you are a Chicago native or just interested in some amazing photos, you’ll find something intriguing and beautiful.

Mythbusters: The Explosive Exhibition

I had the great fortune to work on the team that developed, designed, and made Mythbusters: The Explosive Exhibition. Here are a few shots of my graphics from the debut at the Museum of Science and Industry in Chicago!